Ghada Amer and Joan Gaustad at Try-Me
Our trip to Try-Me gallery was a pleasure. I had the opportunity to indulge in some great art and conversation. The curator was exceptionally informative and friendly. One of our discussions had to do with the placement of these two pieces which hung opposite one another with a large David Schnell painting in between. The placement seemed to me a curatorial success. The Schnell piece was a large visual draw but in no way detracted from these pieces. Gaustad's and Amer's work complimented one another in the use of line, color and figure ground relationships. They were most interesting in the gallery and I wonder if they would have still been as attractive if not placed so well in the space.
Mary Buchanan
Labels: mary
3 Comments:
would love to read more about why you chose Gaustad's and Amer's work.
The relationship between materials and content is expressive and dramatic. They evoke emotion while still maintaining my interest in materiality. I also like the use of contour line in both pieces.
I also wanted to comment on the Ghada Amer piece. (I agree with Mary that the juxtaposition with the Joan Gaustad painting is a happy one.) This seems a good example of a painting where we could discuss whether knowledge of the artist's background and intentions enrich a piece. I have trouble espousing the view that all that matters is the work itself, and whether it "works" or not. Although knowing the artist's intentions, or disposition, is not essential, and certainly doesn't set any boundaries on interpreting and appreciating a work, it seems that it is often a useful starting point. Knowing who created this work gives you a completely different starting point from if it was created by, say, a Dutch man.
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